Showing posts with label Goner. Show all posts
Showing posts with label Goner. Show all posts

Nov 23, 2016

COUTEAU LATEX "Hostile Enviroment" 7inch

     Sometimes when you hear about to musicians collaborating with each other, especially if their styles of music seem quite kindred, the sound of what it will sound like is already imagined in the head. When I first read that Seth of the Useless Eaters was doing a thing with Lise of Switzerland's Staches I figured it would be something a bit ansty in a somewhat trashy/most likely ratty garage rock way.
      I was a bit off in my assumptions about I was about to hear. Minimal synths bloops and a fat poly drum snap teeter between a bouncy pop ditty and Rev/Vega bad trip on "Hostile Environment." Seth lays hypnotic bass rumbles behind and Lise's processed vocals sound like a robot that got programmed to show emotions but the only two that it uses are frustration and alienation. On the flip "Morphée" it seems that the machines have now seem come also understand anxiety and paranoia. The beat is jittery, the noises harsher and the fast swirling induces an effect that is similar to having vertigo and falling down into a spiral painted bottomless pit.
www.goner-records.com

Sep 2, 2016

NOTS "Cold Line" 7inch

Photo by Geoffrey Brent Shrewsbury
     Because of calling Memphis home and they're records have bee released on Goner,  Nots often get the "garage punk" blanket through on them. The thing is though they don't sound like anything from Back From The Grave nor much like any contemporaries they'd get bracketed in with that comes with the tag. If there's was anything that a listener would associate with the blues on a Nots record it would be more about the band's aural darkness than something that might be heard in your average backyard on a Saturday while some cuts into a roasted pig.
     If anything, the band is much more closer to the late 70's jittery UK  DIY art-conk than what usually flows down through the Mississippi. The differences though where that stuff acted a bit demure and hoity-toity about its agitation, Nots don't mince words. They use guitars as serrated knifes to make jagged patterns and searing synths to then cauterized the wounds. Instead of offering something for the pain, drums beats rattling as the only distraction for the brain while a chorus of bawls and wails jeer.
     "Cold Line" takes the listener to a dark and damp place. It's a dampness that is not of the cold, clammy sort the we've been told in fables that the English deal with though. The goth here is of the southern type. Slathered in humid echo the song sounds as if it recorded in some graveyard where dorky psychobilly zombies get made into dust after passing through a 5 story tall grater.
     Covering a song that any self-respecting maven of weirdo music considers definitive and a touchstone for a whole form usually leads to a lot of derision. "HOW COULD THEY DO THAT?" I don't know how many times now I've heard a band do a take on "T.V.O.D."  and no matter how sincere and serious that band may have been about doing it justice, it's usually sounds like a cornball tribute or something else simply unconvincing. Somehow though when the Nots do it though it really seems like they've have been sucked in by the video addiction and are using an IV that's hooked up to cable television feed.
www.goner-records.com

Dec 29, 2013

Smashin'Transistors Fave Albums of 2013

I know there wasn't a whole lot of WRITING about records in this place again this year. I can put the blame on distractions, a major change on the domestic front and life in general getting in the way. I did LISTEN to bunches of music both new and old this past year though. After mulling over the tunes that passed through my ears in 2013 here's a list of the most enjoyed and often played albums at home, in my car and on my radio show for the year (in alphabetical order.)

-Dale


BAD NOIDS "Everything From Soup To Dessert" (Katorga Works) Ragin' and retardo, ugly and nasty. Old school sick kid hardcore. There's some toxic things still along the Lake Erie coastline!
Bad Noids on Facebook


BARDO POND "Peace On Venus" (Fire) Guitars that sound like electrical storms cutting through a dense damp fog while voices teeter between the ethereal bliss & indecorous pain. Flutes get pushed through whirling effects while the rhythm section thumps some swing into a sludge beat.
Bardo Pond on the web


BLIND SHAKE "Key to a False Door" (Castle Face) A musical head space where weirdly tuned silt punk goes out on dates with surf music to watch people go-go dance into a chasm of barbed wire and broken glass.
Blind Shake's website


CATHOLIC SPRAY "Earth Slime" (Born Bad) Freaky frogs doing  LSD fried and cheap beer sauteed post-whatever VU boot lickin' garage punk. Wig out while stomping daisies in a black light room.
Catholic Spray on Bandcamp



COUNTER INTUITS s/t aka "Sheets Of Hits" (Pyramid Scheme) A king of atonal rock woe, Ron House sets up camp around a tape machine with a prince of tin sheeting put to a belt grinder pop, Jared Phillips of Times New Viking. The results are like fetching a Swell Maps record out of a running garbage disposal with your bare hand. 
An interview with the Counter Intuits


MIKAL CRONIN "MCII" (Merge) Introspective singer-songwriter coyness, brash guitar fuzz freak outs and things like strings and woodwinds making appearances are all parts of the recipe here. The result is some of the most glimmering pop songs to sugarcoat ears this year.
Mikal Cronin on Bandcamp


The FEELING OF LOVE "Reward Your Grace" (Born Bad) Shoegazing gets tribal. Psychedelia gets stripped bare then chrome plated. Monochromatic drones intertwine themselves with technicolor swirls. Taste the strychnine rainbow.
Feeling of Love on Facebook


The GO "Fiesta" (Burger) If late 60's era Beach Boys moved to Michigan, spent all summer in a resort town riding bicycles, hanging out at the arcade, trying to find someone to buy them beer (or sell them doobies) and striking out when talking to chicks. Then spent cooped up in a Michigan winter to write songs about it
The Go on Bandcamp


The GOSPEL TRUTH "A Lonely Man Does Foolish Things" (12XU) In some universe a swamp country soul band detours into Birthday Party territory and play at the most surly pig roasts for miles around every weekend. If that universe doesn't exist yet-the Gospel Truth are at working on it.
The Gospel Truth on 12XU


The HUSSY "Pagan Hiss" (Southpaw) Heather singing like a girl group gone bad and bashing the drums like a ton of bricks. Bobby making tantrums of psych-punk noise on guitar and blurting things in a nasal tone. Their best record yet.
The Hussy on Bandcamp


HUMAN EYE "4: Into Unknown" (Goner) Laser guns get put into some mischievous hands after a space punk UFO crash lands into ruins and rustbelt rock-n-roll. Feel the ultraviolet slime ooze out of the speakers. 
Goner Records


MORDECAI "College Rock" (Richie) Mangled and out of sync trash rock/art punk that somehow locks into a groove of cohesive chaos. The most glorious and loudest wreck to come of out Butte, Montana since a six hour loop of Evel Knievel greatest wipe outs.
Mordecai on Tumblr


OBNOX "Corrupt Free Enterprise"(12XU) Read Smashin' Transistors review here.


OBLIVIANS "Desperation" (In The Red) Reunion albums by legendary bands are normally a big letdown. With tunes that go well at a backyard BBQ/Dance Party or cruising the streets looking for trouble and possibly a knife fight though Desperation isn't! Older, wiser but still packing plenty rock-n-roll firecrackers.
The Oblivians Facebook page.


OOGA BOOGAS s/t (Aarght!) This is like one of those "everything but the kitchen sink (for the lack of a better coin) "New Wave" fun party records of the mid 80's. Downstroked & elastic guitar rock-n-roll chuggers peppered with horn sections. Pub rock slathered in cheezy synths. Sing-a-long anthems with all of the above.
Ooga Boogas Bandcamp page 



PAMPERS s/t (In The Red) Blues punk (or at least a Scientists/Cramps/"Dial M" era Pussy Galore) gets spun like a top before being severely beaten by deviant art misanthropes swinging red hot tire irons. It's then set on fire and placed by some gas station pumps. The explosions are deafening.
Pampers page on Bandcamp


PSYCHIC ILLS "One Track Mind" (Sacred Bones) Chill out boogie for bikers? Spacemen 3 cruising in a brand new Cadillac through the a wildflower filled countryside? Music to burn a j while sitting under under a big shade tree at the beach? Yep, Something like that.
Psychic Ills place on the web


PURLING HISS "Water On Mars" (Drag City) Read Smashin' Transistors review here.


SATANIC ROCKERS "Fu Kung" (Alberts Basement) Read Smashin' Transistors review here.


WHITE FENCE "Cyclops Reap" (Castle Face) Syd-esque crumbling apart folkie rock gets a bunch of glitter dust tossed at it. Be the songs sound like acid country rock, glam pop played on household items or a heavily medicated Creation playing Byrds songs (or vise-verse) wiggly acoustic strums and big fuzz wails get their equal amounts of attention.
White Fence on Facebook

And with that-let's kick 2013 to the curb. On to 2014!

May 5, 2012

JOHN WESLEY COLEMAN III "The Last Donkey Show" LP and JOHN WESLEY COLEMAN III/FOLLOWED BY STATIC split 12inch EP

     A lot of people, including yours truly, have said "You know what I am going to do? I am going to write a new song everyday." Usually though, now matter how sincere such people's intentions are, things like life and it's responsibilities get in the way.
     Then there's cats like Wes Coleman.
     It's like he wakes up (probably around noon or later), has a breakfast of bacon, eggs, orange juice and whiskey and then not only gets down to writing a song each and every day but then lays them down to tape just minutes afterwards too.
      Slathered in greasy saxophone and whirly keyboards tracks like the "She's Like Dracula" jitteriness and the seeing double 50's rock-n-roll feeling "Animal Bed" conjure up happy memories of a summer youth misspent at beach coast amusement parks, watching dimestore E Street Band contenders and trying to chat up girls who thought they were too pretty for the local boys.
     Storefront gospel, southern soul and the ghosts of homeless Roy Orbison worshiping balladeers seem to haunt heavy on that thing that Jack Oblivian does when he does that type of think tune "The Howling" and the album's title track.
     Other songs on the album are downright pretty. "Hanging Around" country-rock lilts like one of those good songs from the Grateful Dead's Workingman's Dead or American Beauty. That is if the Dead had some punk rock records in their collection, could keep their songs around the 3 minute mark and, you know, didn't have all those pesky Deadhead's making it possibly embarrassing to be compared to. The assistance of a bit of pedal steal makes the lilting-n-weepy acoustic based "Flowers In the Dark" sound even more damn heartfelt.
    The Last Donkey Show finds Mr. Coleman in a myriad of moods. Some loud. Some quiet. All of them with a touch of booziness.
     The split single with other fellow fuzzy Texans, Followed By Static, is the first releases on the always cool Italian gal Astrid Dante of Miss Chain & the Broken Heels label Way Out There. A slight theme of metaphorical food and alliteration stands out at first gander. Both JWCIII's "Personality Pancake" and FBS's "Bacon Bear" take the cowpunk sound and kick that driving 290 Highway dust all over it. The former like the Replacements jangling along til the stumble into a nest of rattlesnakes, the latter like a Hill Country Hootenany going after a morning of a couple pots of Cafe Bustelo and mushroom hunting.
     They other 3 songs by both artist compliment each other well too with Coleman's tracks ranging from broken down robot funk ran on tubes instead of transistors, torrential waves of feedback and general Austin weirdness and Followed By Static's tunes starting out as simple, charming folk rock and finishing as large orchestrated epics.
http://www.goner-records.com/ 
http://www.wayoutthererecords.com/

Nov 16, 2011

Wednesday Photo By Dale: The Overnight Lows

Though I am no pro I've been taking pictures for a lot of years now. A lot of them have been lost due to many moves I made over the years, some have been given to friends and family, others tossed away and a whole bunch sitting in boxes where one day I will eventually go through them.
     Some are of the bands and other thing things that have I've traveled to see, others of bands that have traveled through this little hamlet to rock out and some are of things in this little hamlet itself. The last couple of years I've been sharing some of the ones I took of a more recent vintage with my Facebook pals. Family and friends (both of the real and cyberspace world) have suggested that I should let a more general audience have a peek at some of them and not just the pictures of beer of have shot.
     Finally, I have decided "Hmmmm. you know what? They are right" so each Wednesday from now to who knows when I will share SOME of them with the Smashin' Transistors readers (too see all of them you'll have to make it through the maze that is finding them on my personal Facebook page. I wish you luck with that. I suppose if you find me there and make a friend's request I may oblige.)

     The first installment series is of Jackson, Mississippi band the Overnight Lows. In 2010 they released the very rockin' album "The City Of Rotten Eyes" and in early 2011 embarked on a US tour. They needed help filling a night up here Michigan way and I gladly obliged them with an evening at the Roche Bar here in Port Huron. Here's some moments my camera caught (click the pics to see them larger).









    

One thing a bunch of us take seriously in this town is our homestate pride for the beer that is made here. Marsh and Daphne Overnight Lows were interested in trying some. Here the two make a toast with some Shorts brewing company stuff. Daphne has the Soft Parade and I believe Marsh is having a Pandemonium if my memory serves correctly.

More info the Overnight Lows can be found at Goner Records and the band's Facebook page.

Mar 5, 2011

Smashin' Transistors Fave 20 Albums of 2010

Yep. This is waaay late but, hey, life gets in the way sometimes. Because of the distractions, diversions and duties 2010 laid down on me I was not able to give a chunk of the albums listed here a "proper review" posted up even though I listened to them quite a bit. For those I jotted down some scattershot thoughts. For those I did actually manage to get something posted about in the year that just passed-follow the link the revisit the review. Now without further ado and ranked in alphabetical order here's THE 20 albums (and five honorable mentions) from 2010 that stuck to Smashin' Transistors ear holes the most.
















BESNARD LAKES - ....Are The Roaring Night (Jagjaguwar) Lushly orchestrated but not bombastic. Brooding but not alienating. The sound of angels singing above crashing waves or a unforgiving thunderstorm on a otherwise pleasant summer day.
http://thebesnardlakes.com/

















BEST COAST - Crazy For You (Mexican Summer) Loud and (even the quieter songs) swimming in echo girl voiced mid-fi pop that brings some sunshine into the otherwise long dark shadow that's been cast since the post Vivian Girls sweepstakes.
http://bestycoasty.blogspot.com/
















the BLACK ANGELS - Phosphene Dream (Blue Horizon Ventures) Though their previous album's of Roky E and Spaceman 3 worship were find and dandy for what they are-this Austin, Tx band has really hit their stride this go round. A rollercaster ride of reverberation, days in the park and spooky dark corners.
http://www.theblackangels.com/
















BLACK MOUNTAIN - Wilderness Heart (Jagjauwar) Smashin' Transistors review of it here.
















ISOBEL CAMPBELL and MARK LANEGAN - Hawk (V2) Lee and Nancy...Serge and Jane...Johnny and June. They've all been bandied around when talking about Campbell's heavy sweet cream coo meets Lanegan's parched whiskey and mud croon. With tracks ranging from dirtroad folk blues and country tinged jangle rockers to 70's style slinky and string laden RnB love jams all the descriptors fit but that's not to say these two don't have their own thing on.
http://www.isobelcampbell.com/
















JOHN WESLEY COLEMAN - Bad Lady Goes To Jail (Goner) This is the 2nd solo album from Golden Boy Wes and for those who like their reckless and weird Americana will find this just the right thing when they want it but a bit louder, looser, stripped down and loud. The album reeks of booze, weed and sweat dripping all over the tape machine it was recorded on.
http://johnwesleycoleman.blogspot.com/
















the GOODNIGHT LOVING - The Goodnight Loving Super Club (Dirtnap) To call this Wisconsin combo's sound Alt-Country seems a little short sighted. It's not like their trying to ape some "Imagine Merle Haggard fronting AC/DC" thing or sing with a nasally down south I grew up on a farm twang when they actually lived at at the end of a cul de sac in a prefabbed subdivision. Country Rock is not on the mark either because some might think they sound like the Eagles. To call them a true blue American rock band in the tradition of CCR, the Byrds, the Replacements and Big Star might work though. GnL has had a great track record so far and this is one of their best yet.
http://www.facebook.com/pages/Goodnight-Loving/84398543385
My label, Bancroft put out a record by the Goodnight Loving a couple years ago. I still have a scant few copies of it. If you'd like to purchase one let me know.

















GRINDERMAN - 2 (ANTI) Most dudes hitting their mid life crisis stage usually go out and buy a hot rod or some shit to compensate. Nick Cave doesn't need all that though. With Grinderman as his time away from being Mr. Bad Seed he gets all the fulfillment he needs. Crotch stuffed raunch rock gets tweaked and mutilated into a bloodied stomp, crawl and creep with Nick the Strippers tells stories from seedy hotel rooms and brothels located between churches and graveyards.
http://www.grinderman.com/

















GUINEA WORMS - Sorcererers of Madness (Columbus Discount) People have been calling Dick Clark the world's oldest teenager for something like two hundred and forty eight years now. Is there anyone in the running for the world's oldest drunk poet college sophomore? And so-is it Guinea Worms main dude Will Foster? Lots of libido, lots of leering, lots of inappropriate pick up lines, lots of intellectual references fueled by lack of sleep and the last beer in the fridge backed by hippie blues one minute, difficult jazz punk the next and some stadium sized hip-hop damaged heavy pettin' garage punk sing-a-longs thrown in for good measure.
http://www.myspace.com/guineaworms


















IDLE TIMES - Idle Times (Hozac) Smashin' Transistors review of it here.
















JAILL - That's How We Burn (Sub Pop) A Wisconsin supergroup if you know their background or current associations but we're here to talk about THIS album. Like how some college rock bands of the 80's took a 60's feeling and sound but brought it into the now while still staying faithful to the feeling and spirit Jaill is talking their cue from those college rock bands. Not lo-fi but also not overadorned jangle and harmony from guys who can stay up til the beer and pop is all gone BUT also do smart things like read books and talk philosophies. Not to be confused with the band from Halifax, Nova Scotia that were on Sub Pop in the early 90's called Jale.
http://www.subpop.com/artists/jaill



















JOE KILE - Southern Beauty Queen (Eastern Watts) Smashin' Transistors review here.


















the MENTHOLS - Michigan Works (UFO Dictator) Smashin' Transistors review of it here.


















SCOUT NIBLETT - The Calcination Of Scout Niblett (Drag City) The much bandied descriptions of Scout's music is "the illegitimate daughter of Kurt Cobain and PJ Harvey". Though it's a lazy/easy description her songs are sparse, her guitar can be all quiet then perforate an eardrum with sick feedback and her voice goes from a cracked whisper to heartbreaking wail-it's somewhat accurate. The princess of the New Weird Blues.
http://www.myspace.com/scoutniblett

















OVERNIGHT LOWS - City Of Rotten Eyes (Goner) This is one of those punk rock-n-roll albums that flies fast out of the gate with hyperactive energy and it's 12 songs in 22 minutes don't let up til the record finishes to a dead stop. Think the Marked Men raised on a steady diet of catfish or a less nerdy and much more pissed off Wax Museums and you be coming close to getting an idea on what these Jackson, Ms. rabble rousers are putting down.
http://www.myspace.com/theovernightlows

















the PLEASURE KILLS - Bring Me A Match (Polypore) It's like the guitar player from the Rezillos never left to hang out with the Human League, Blondie decided to speed things up after Eat To The Beat instead of trying to appeal to suburban moms or the members of the Go-Gos never discovered high limit credit cards, young republican courters and heroin. Bubblegum smacking dancefloor filling new wave party rock. Seeing their full on energy live show seals the deal cuz the band plays hard and Lydia can really belt them out.
http://www.myspace.com/thepleasurekills

















the SUGAR STEMS - The Sweet Sounds of...(Dusty Medical) Another Wisconsin band who's lineage and "Featuring members of..." thing I could go on about for days but know I already have done that somewhere else in public as well as the internet so no need for that now. Glossy and sparkling bright rooted in 60's girl groups and 70's power pop and guitar solos that nod to both James Burton and Rick Neilsen at the same time.
http://www.dustymedical.com/
Betsy and Stef Sugar Stem are also in the Flips. My label, Bancroft, put out a record by them awhile back. If interested in picking up a copy drop me a line.

















SUPER WILD HORSES - Fifteen (Hozac) Smashin' Transistors review of it here.


















WHEELS ON FIRE - Liar, Liar (Alien Snatch) Smashin' Transistors of it here.

















WHITE WIRES - II (Dirtnap) During the height of the whole pop-punk explosion I wonder if the Ramones ever weighed in on their take on it and if they did were they pissed about it. I imagine Johnny was but, then again, judging from the End Of The Century doc when wasn't Johnny pissed or miffed at something. I would hope though that they'd tell all those bands to realized what the Ramones reference points were and look for those as inspiration instead of, well, just aping the Ramones (and, for the most part, not doing it all that well). It's practically impossible to doubt that Ottawa, Ontario's White Wires haven't listened to the brudders from Forest Hills albums but for them it's a jumping off point instead of having their (Converse High Top) shoes cemented in the foundation. Ramshakled but right catchy buzzsaw rock-n-roll songs that nod to good times/great oldies and the 90's garage punk and have you humming the hooks right after the first time you hear them. Their first album was a charm and this follow up is even better. This ain't pop punk. Punk pop perhaps?
http://www.dirtnaprecs.com/

Honorable mentions: Ty Segall Melted, Sleepy Sun Fever, Superchunk Shredding Majesty, Tyvek Nothing Fits and the Vaselines Sex With An X.