Seesawing betwixt bashful etherealness and a shambling pop bluster, it's hard not to be smitten by Paris, France's En Attendant Ana.
On their debut album, 2016's Songs From The Cave, the overall sound was an endearing set of lo-fi melodies. Here it's more of the same but with a brighter production gives things a bit more of a sumptuous ring yet still keeps many of the frayed edges intact.
Following a swirling chug of guitars aided and abetted by a torrential storm of drum crashes and electrical hissing of the aptly titled opener "Intro," the band bounces directly into a sparkling pool of jagged C86 bliss that's floating on a dose of mid 60's Mod sunshine glare with "Not So Hard."
The accentuation of trumpets on the song adds something regal and hauntingly baroque on the song as it does on a smattering of other tracks too.
While the overall vibe of the record will probably get first reactions such as The Vaselines due to main singers Margaux somewhat similar (but often more soaring) voice to Francis McKee and the vocal trade-offs she does with the band's guitarist on songs like the venom wrapped in a pastry sound of "Why Is Your Body So Hard To Carry" but even if they have the recipe for that sound in front of them, they're adding their own things to cook in with it.
Things that give the impressions of being simple jangly garage-pop songs when they start, such as reverb squiggled "Night", the jittery chiming that launches off "The Violence Inside" and how the album's closer "I Don't Even Know Your Name" sounds like a child PROPERLY reared on the Velvet Underground and Stereolab all swell into their own kind of waves of majestic sonic drenching by the time the are through.
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