|Photo by Corey Arnold|
After what sounds like a circus being run of out town and over a cliff by spaceships on opener "The Hidden Cost" a murder spree starts with "Wet Brain." Full of serrated guitars alternate between recklessly sawing away at tendons or blowing up a dam full of blood while a man possessed howls something that sounds somewhere between Lux Interior screaming for dear life and a snake charming preacher drunk on a serpents venom, the song is where all kinds of creepy dreams begin.
Fuzz coated and mildew laden freak fest like "Raw Night" and the drunks fist flying boogie of "Hip Pain" come barreling out like a runaway train loaded with a raw sewage payload, smashing everything in its path. Meanwhile, a panicky "Catch And Release" kicks rockabilly music in the head with a work boot and tangles your worthless soul into a slimy and sticky web of spidery guitar lines.
When it seems the band might play it a bit straight things are still messed up. "Weathervane" may remind some ears of Neil Young and Crazy Horse but after a minute or so in it's more like them being tied together at the ankles and then dragged alive behind the hearse that Neil wrote "Long May You Run" about. When they do a take on the Paul Anka song "Crazy Love" it sounds more like a murderer making a non remorseful but disturbing confession and their version of The Savages "The World Ain't Round (It's Square)" takes the teenage snot and rage of the 1960's original and drops into the even more brutal and bitter modern world.
The first Musk album blew my head off. For this second go round they have decided to stomp on the grey matter and kick the bloody parts all over the walls and window.