Don't Want To Say Good-bye" will remind people of the Everly Brothers. Having that still instilled into since probably the day I was born (the folks dug 'em bunches) and being a sucker for that sound when done right (to my ears at least) I prepared to listen intently.
Masterminded by Max Clarke, he the one time guitar player for Chicago band the Sueves, the Cut Worms pull off the sound consummately. Close harmonies swell over an elegant sibilation of steel stringed guitars. The clean and lightly echo'd recording sounds authentic. Not so much as a direct cop but as something this has been going through their bloodstream since day one too which makes it feel more like sincere love for a long gone era of innocence rather than making people suspicious that there is some irony trip at hard or they songs are just playing dress up.
Where the Everly Brothers inspired a lot of future folkies at the time to eventually go off on their own paths of soul bearing, side two's "Like Going Sideways" starts its journey seeming like an introspective ballad around a campfire which then meets its destination cleaning out stems and seeds at Gene Clark kitchen table with a heart yearning for more.