May 11, 2016
HEAVY TIMES "Dancer" 7inch EP
The band has had an occasional new wave hue to them on previous endeavors and on this one it is practically glaring. Synth washes and a tinny computer drum lure you into a seedy neon lit mutant disco planet on "Dancer." A throaty new wave android repeatedly recites diminutive recollections of movement while a guitar line that slid itself off one of the Ultravox record before Jon Foxx left coats a sheen of frost of the toxic sort throughout. It is followed by "Midnight Highway" which mines the same territory but also with a manner of skittish twitches, somnolent bloops and glassy 6 string flash that smears a thin and chipped line between where techno-pop ends and synth rock begins. Both cuts would sound fitting in some nightclub in a cellar when strobe lights are set to a medium pulse and plebeians reach for cobwebs as a groovy dance move.
Then, on the b-side, the ceiling comes crashing down. "Coptic Rot" hits a pressure point that the band is known to reach. Kicking off with a drum roll that may get you thinking you're about to hear a surf song things instantaneously break into a nervous rhythm. The vocals now a bit more hoarse and ranting compared to the "getting my best Gary Numan on" of the a-side and fidgety guitars up the antsy ante. The record's final track, "Edge of The Night", reverts back to the early 80's thing. The opening reminds me of the Go-Gos "Our Lips Are Sealed" slowed down to opiate induced pace. Then a flange pedal gets treated passive aggressively and things start to sound like the ending credits of a John Hughes movie. Well, a John Hughes film if he became smitten with the Cinema of Transgression, that is.