Apr 18, 2016

Carol Anderson "I'm Not Worried"


     One of the things about these lost Detroit soul records of the 60′s is finding out a little history on the label and especially the singers and players that appeared on them. Little slivers of info from here and there sometimes lead into a trove of history. Other times a lot of things remain a mystery.
     Located at 5725 14th Street in Detroit, the Whip record label was ran by a fellow who’s name might have been James Davis or Jim Riley. The address was also the same for another label called Dotty’s that was owned by a cat known as Clifford Marshall. To add even more confusion both labels also used the exact same catalog numbering system and we releasing records around the same time frame. It has been speculated that they were all just the same person operating under different names for possibly different (perhaps even nefarious) reasons. The name C. Marshall appears as both a songwriter and producer here so until someone who actually knows a bit more about the whole situation comes a long (as I am just a fan really. My historian research hat only fits rarely) I am gonna assume they all different personas for whatever reason.
     Carol Anderson was the third record to come out on the Whip label. The a-side, the horn laden and smoky mid tempo’d "Taking Mind Of My Love", is no stranger to Northern Soul fans but we’re gonna listen to the flip. To me it’s just got a hotter bump to it and I dig the sass and the way she sing “Oohhh Yeah!” in it.
     In the late 60′s and early 70′s Carol also released records on the Mid Town, Explosion and Soul “O” Sonic label. It has been noted that those labels were started by her mother, Esse Anderson, who was a hairdresser as well as Carol’s manager. All three labels (as well as the hairdressing business) were based out of their home at 443 Navhoe St. in Detroit. Esse also has songwriting and production credits on the records that Carol sang on through the 70′s
     Esse passed away from a bout with cancer in 1983. Carol died just a year later.

No comments: