|Photo: Daniel Hofmeister|
The swarms of feedback that invade the opening of "The ID" push it to a point to make where almost skin crawls. Right before everything is going to snap the song dives head first into a trash bin of Sci-Fi Budget Rock and strangled saxaphone dance numbers.
Starting off with bass line that sounds like it was taken from third generation duped cassette recording of some old new wave band's demo things turn bloody on "Elevators and Escalators" fairly quickly. Two guitars snarl band saw sounds at each other that may stem from an argument about whether it's Sonics or Swell Maps records sound even better played at 78 rpm's.